This is not a vacuous (copy and paste type) post about marketing your novel (designed to attract eyeballs and comments). It’s more to do with the dreadful necessity of doing it (marketing, that is), and the feeling of unseemliness that accompanies the so doing.
First, you have to be (or have something) “out there”. I’m not going to reflect overly long on the kudos afforded by the fact of being “out there” in a loud, notice-me, capitalist world. It’s perhaps enough to remark that it might be making a virtue of necessity where artistic endeavour is concerned, since post-production you’re engaged in the game of getting noticed.
Picture me walking into a room of disparate people who share my plight. My name is John, and I have something “out there” – a novel to be (somewhat) more precise – a stylish, philosophically bleak work of detective fiction. One of my readers (and, like all rare things, I value them all) told me recently that they’d read a quarter of it and put it aside because it was too depressing. Clearly, it’s bleaker than I thought.
Okay, so let’s put together an entirely fictional marketing strategy. You persuade twenty people to buy the book (I managed that bit). They read it (mostly succeeded in that. Thank you, dear readers), and then… what? Well, they feed back to you, which is helpful and useful and generous and kind. Unfortunately, what you really want them to do is blog and tweet and Facebook and review (on books sites, preferably those from where they purchased your book). You need to be talked about on social media. I’ve entirely failed in this. I just don’t know those sorts of people, and it’s surely deeply unseemly to be nagging people who bought your book as a favour in the first place to spend time reviewing it. I mean, life is very busy. I do more blogging than anyone I know.
In short, then, to succeed from Nowhere, you have to become a needy, whining, attention-seeking wannabe prattling on about yourself and your work at every opportunity, constantly racking your brains to come up with ways to attract attention to yourself. Not very dignified, is it? That presumably is what agents and publishers spare you, allowing you to get on with the art and (mostly) skip the marketing, notice-me indignity of it all.
I’m writing my second novel (or was; I have 9,000 words of it), which is much more mainstream in terms of subject matter and, perhaps more importantly, style. This is what feedback does to you. Needed and necessary, ultimately it promotes conformity. Truly individual voices go unheard.